• Hang Dao Street: Hanoi’s Traviata

    Hang Dao Street: Hanoi’s Traviata

    Hang Dao street, cutting north from Hoan Kiem Lake to Dong Xuan Market, is the aristocrat who ended up working the stalls without losing a shred of her arrogance. On the surface, she plays the peddler of junk. Knock-offs, fake leather belts, trinkets of every kind. Ephemera negotiated with a blade between the teeth. But…


  • Khai Dinh: the warholian emperor

    Khai Dinh: the warholian emperor

    Long before Warhol churned out Campbell’s soup cans, Khai Dinh was mass-producing shattered porcelain and crushed glass motifs to the point of overdose. He understood before anyone else that repetition isn’t laziness, it’s hypnosis. And it works. Pre-emptively psychedelic: relief dragons, twisted columns, kitsch celestial ceilings… a sensory overload bordering on visual intoxication. I’ll say…


  • French neoclassicism in Hanoi : architecture that spoke loudly, very loudly !

    French neoclassicism in Hanoi : architecture that spoke loudly, very loudly !

    While French neoclassical architecture certainly bestowed upon Hanoi that photogenic “French Quarter” south of Hoan Kiem Lake, a far more martial intent lurked behind those cheerful facades. These palaces, these colonnades, and this overt monumentality were anything but innocent: it was France, clad in a costume of stone, proclaiming the gravity of its colonial project…


  • RC4: The anatomy of a slaughter

    RC4: The anatomy of a slaughter

    Every time I’ve tracked the mountain paths of Cao Bang, I’ve been hit by a double-blind of emotion: awe at the raw splendor of the landscapes—an inextricable wilderness of limestone peaks cloaked in dark forests—and horror at the violence once vomited into that suffocating, trap-ridden jungle, perfect for ambush. This tormented nature, born from some…


  • Vientiane’s curious colonial family

    Vientiane’s curious colonial family

    In Vientiane, the colonial is not a backdrop trying to impress or loom large. It’s a family. A tired, mismatched lineage that never chased glory or spectacle. No empire on display here, just figures sharing space, tolerating one another, sometimes ignoring each other altogether. Some still stand upright, others have let themselves go; a few…


  • When France played dealer in Indochina

    When France played dealer in Indochina

    With Operation X, we step into the darkest, most compelling folds of the Indochina War. This is the moment when the civilizing mission locks away its fine principles and climbs down into the mud of trafficking—where spotless stripes rub shoulders with dirty hands, where the military aristocracy learns you don’t win a colonial war by…


  • David de Mayréna: the flamboyant “King of the Sedang”

    David de Mayréna: the flamboyant “King of the Sedang”

    I genuinely delighted in devouring the chronicles of this flamboyant freak, a clash of raw exploits and grandiose lies, a testament to an era where distance and total lack of oversight let the wildest, most toxic destinies breathe. Had cinema shown an ounce of imagination, it would have found in him the ultimate material for…


  • Yersin: the loose cannon

    Yersin: the loose cannon

    Dictionaries, encyclopedias, and biographers alike must have torn their hair out trying to define a man like Alexandre Yersin. He escapes all categories, slips between labels, and refuses frames that are too narrow. Explorer yet scholar, physician yet agronomist, inventor as much as a solitary figure, Yersin remains unclassifiable. He was a free spirit, entirely…


  • Long Biên Bridge: A history of rust and bone

    Long Biên Bridge: A history of rust and bone

    Long Biên Bridge is an old duchess who refuses the tomb. She still stretches her carcass of rust and steel between the two banks of Hanoi, corseted in weary rivets, dragging her skirts of girders, her spine bowed by more than a century of crossings, bombs, and polite indifference. They say she’s obsolete, too slow,…